SampleTekk Tubed Keys Mk I Seventy-Three

SampleTekk Tubed Keys Mk I Seventy-Three

- The Rhodes Challenger

When recording a Rhodes piano, nearly all, (or all?), instruments that
has been recorded for a sampled instrument are lined. That means that
you take the signal from the instrument, and feed it directly to the
recording device.

This means that you will get a very clean, bright signal. And that is,
in itself, a good thing!

This is exactly why I choose not to do so!

When Fender tuned and set up the Rhodes pianos on the factory, they
used a Fender Twin as a preference amplifier. That was the way the
where intended to sound.
Personally, I'm used to feed my eardrums with the Rhodes/Fender Twin
sound since my good friend Tomas Sunmo (remember Sunes L100à???) used
to run his Rhodes through a Twin and we played together for a long
time. (Tomas have now moved to southern Sweden and as a result, we
don't play together and his children has a weird accent..)
And since the piano used for the session was Sunes, well, it just
had to be a Twin!
The instrument was bought by Tomas back in the seventies, around -75
I think, and it's been in his care since then.


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Sampletekk Tubed Keys MKI Seventy Three Multiformat DVDR AI

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