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The new Voice Level option lets you lift and stamp to seamlessly match dialogue volume across your project in a few clicks. Soundtrack Pro instantly identifies and analyzes vocal content in both the lifted clip and the clip you stamp and then adjusts the amplitude of the stamped clip to make the dialogue levels match. The EQ matching feature lets you make dialogue from different sources sound as though it was recorded in the same place at the same time. You can mimic the overall feel of a piece of audio by selecting it and setting an equalization print. A single click lets you apply those frequency characteristics to other clips in your project. Easy Audio Restoration Special-purpose tools in Soundtrack Pro 3 let you repair common audio problems in seconds. Remove unwanted background noise in a few simple steps. You can also quickly identify, preview, and fix audio that contains pops, clicks, hum, DC offset, and more. Repair field-recorded dialogue or restore old or damaged recordings quickly and easily. Soundtrack Pro analyzes an audio file for common problems including clicks and pops, hum, phase issues, and more and automatically removes the objectionable sounds. Audition and fix one problem at a time, or repair all the problems at once by clicking Fix All Soundtrack Pro lets you replace unwanted sounds with ambient noise. The Set Ambient Noise Print command allows you to identify part of an audio file containing only ambient noise. The Replace With Ambient Noise command applies the ambient noise to the audio file or selection, automatically fitting it to the necessary length and adding crossfades for a natural sound. The improved broadband noise reduction feature in Soundtrack Pro 3 uses a high-resolution noise print to reduce unwanted background audio with even greater precision. To save time when removing noise from multiple files, create an AppleScript droplet to automate the repair process. Sophisticated Sound Design With more than 50 professional effect plug-ins and over 6000 royalty-free Foley effects, sound effects, and music beds, Soundtrack Pro 3 makes it easy to design the perfect sound to enhance any project. Sculpt exactly the sound you want using more than 50 stereo and surround effect plug-ins, including Space Designer, Delay Designer, and Channel EQ. You can add to your collection by bringing in compatible third-party Audio Units plug-ins. Sweeten your soundtrack with a library of more than 6000 Foley effects, sound effects, and music beds, including more than 1000 sound effects and full music beds in surround all royalty free. You can easily import and index third-party music and effects libraries when you want more options. Use the Search tab to quickly find and audition both Apple-designed and third-party items. Easily synchronize sound effects to picture by spotting to the playhead or timecode value. For additional visual information, use the innovative Multipoint Video HUD, with a three-up display that shows video frames for a clip's start, sync, and end points. Scrub the audio cue back and forth and watch the video in all three frames dynamically update as you identify exactly where to position your sound effect. Automatic Audio Conform Process Easily synchronize your soundtrack to changes made in your video edit. If you change your picture edit in Final Cut Pro, you can use the Conform feature in Soundtrack Pro to automatically compare versions and update your multitrack audio project. The audio conform process takes advantage of seamless round tripping between Soundtrack Pro's integrated conform process ball and Final Cut Pro. Just send your project from Final Cut Pro to Soundtrack Pro. After you change the picture edit, send the project to Soundtrack Pro again. Then the Conform feature can analyze both versions to detect changes. Instantly view the changed areas in an interface that combines a visual "map" and a worklist. The map consists of a mini-Timeline that highlights different parts of the edit. View the original project, the incoming changes, or the resulting project. In the worklist, changes are intelligently grouped by type. Soundtrack Pro analyzes the changes and provides confidence ratings to help you quickly identify and accept low-risk changes. Audition and choose which changes to accept, reject, or modify on an event-by-event basis or accept all changes at once. When you accept a change, Soundtrack Pro repositions the audio clip to synchronize with the picture change or removes the clip if it is no longer needed. Comprehensive 5.1 Surround Support Soundtrack Pro 3 gives you everything you need to create immersive 5.1 surround for your video. Whether you're mixing an independent film or a multimillion-dollar blockbuster, creating an enveloping cinematic soundtrack has never been easier. Soundtrack Pro 3 offers an intuitive and comprehensive set of tools for creating professional surround mixes. Build cinematic soundtracks with discrete 5.1 mixing, bussing, and routing. An innovative surround panner dynamically represents the location of sound in the surround field as you make adjustments, greatly simplifying the task of creating immersive sound mixes. Use fully surround-capable compressors, EQs, reverb, and modulation plug-ins to sculpt your sound for surround space. Soundtrack Pro 3 includes more than 50 audio effect plug-ins many in true surround, including the Space Designer convolution reverb. Soundtrack Pro even gives you the ability to adapt any mono or stereo effect for use with surround tracks. Create vivid soundtracks by choosing from more than 1000 professionally produced, royalty-free music beds and sound effects in true 5.1 surround. Many productions require delivery in both stereo and surround. For example, you may want to stream video on the web with two-channel stereo and release it on DVD with 5.1 surround. Soundtrack Pro simplifies your workflow by allowing you to combine surround and stereo mixes in the same project. Save time by creating just the surround mix, then let Soundtrack Pro create the surround-to-stereo mixdown according to Dolby guidelines. Flexible Workflows Tackle the most complex audio post-production tasks, with the flexibility to work the way you want. Soundtrack Pro 3 combines powerful integration with Final Cut Studio applications and seamless interchange with other audio software. From Final Cut Pro, send a clip to the File Editor or send an entire sequence to the multitrack Timeline in Soundtrack Pro all with a single click. Instantly return audio clips or an entire mix from Soundtrack Pro to Final Cut Pro. Use the Conform feature in Soundtrack Pro for automatic updating of your audio project to match editorial changes made in Final Cut Pro. You can also round-trip files between Soundtrack Pro and Motion. Send individual files from Logic Pro to the nondestructive File Editor in Soundtrack Pro, so you Logic Studio Iconcan easily and precisely repair, restore, or fine-tune your file. When you save the file in Soundtrack Pro, your Logic Pro project instantly updates. You can also score a project in Logic Pro then send the music to Soundtrack Pro to add it to the mix. Support for software interchange lets you move complete multitrack projects between Soundtrack Pro 3 and other industry-standard audio applications. You can import OMF files and import and export AAF files. Record or output audio using any Mac OS X Core Audio-compatible I/O device. If you connect an Apogee Ensemble or Duet, you can use a software control panel in Soundtrack Pro to adjust the hardware remotely. Control surfaces let you edit and mix your projects with greater speed and flexibility. Soundtrack Pro supports any surface that uses the Mackie Control or Logic Control protocols. New support for the EuCon protocol lets you connect any Euphonix control surface, with options ranging from fully equipped Pro Series consoles to portable Artist Series units. Color 1.5 What's New Seamless Round-Tripping with Final Cut Pro 7 You can now send most long, complex sequences including scenes with still graphics, speed effects, multicam clips, and other advanced functions directly to Color from Final Cut Pro. Speed changes render faster when you send your graded sequence back to Final Cut Pro. 4K Support Color 1.5 allows you to grade and render at maximum quality, with a workflow that supports native 4K files from cameras such as the RED ONE. Output directly to ProRes 4444 for HD delivery or render DPX or Cineon files for digital cinema mastering or film outs. Support For New High-Quality Formats Whether you're grading a sequence in HD or creating a grade for a film out, Color 1.5 produces stunning quality. Work natively in new high-end formats such as Sony XDCAM HD 422 (50 Mbps) and Panasonic AVC-Intra, or use the new ProRes 4444 for grading with the maximum amount of color information. Relinking For Digital Cinema Workflows Color 1.5 can read a database created in Cinema Tools 4.5 to track your original film or digital files. This means you can edit quickly in Final Cut Pro using ProRes proxies and then use the industry-standard film tracking process in Cinema Tools to easily relink to the original DPX or RED files for color grading. Affordable Options for Hardware Control Dedicated control surfaces help you work efficiently when you're grading hundreds of shots. In addition to support for high-end controllers from JLCooper and Tangent Devices, Color now supports a new generation of affordable control surfaces, including the Tangent Devices Wave and the Euphonix MC Color.

Description: The world of Apple Final Cut Studio 3 continues to grow at a phenomenal rate, with more than a million users and over 200 partners offering compatible plug-ins, control surfaces, I/O devices, and integrated systems. Apple has designed Final Cut Studio 3 to offer powerful new features, a wide range of enhancements requested by the worldwide community, and dramatically improved performance at an affordable price.

Final Cut Studio 3 delivers a complete end-to-end post-production workflow that can be used for independent projects, Hollywood productions and corporate training videos alike. Final Cut Pro's open timeline supports mixed format video from DV, SD, HDV, XDCAM HD, DVCPRO HD, uncompressed HD, as well as native AVC-Intra support. The suite features an interface that veteran Final Cut users will feel at home in. Users new to the software will appreciate its intuitiveness and contextual help menus.
Final Cut Pro 7
What's New

Expanded ProRes Family
New versions of the Apple ProRes codec let you edit faster and at higher quality across a wide variety of workflows. The family now includes ProRes 422 (Proxy), ProRes 422 (LT) and ProRes 4444, in addition to the original ProRes 422 and ProRes 422 (HQ). Choose ProRes 422 (Proxy) for offline editing or use ProRes 422 (LT) for projects that require reduced file sizes at broadcast quality including news, sports, and events. At the other end of the scale, ProRes 4444 is ideal for compositing and digital workflows that require the highest-possible image fidelity.

Easy Export
Delivery to your Apple devices, the web, and disc is just a click away. Choose your output format in the Share window, then keep working while your projects are rendered, compressed, and even published to the web in the background. Use this convenient feature to export your file to iTunes for syncing with iPod, iPhone, and Apple TV; publish to YouTube or MobileMe or burn a Blu-ray disc or a DVD, with a choice of Apple-designed menu templates. You can also create custom presets in Compressor for use in the Share window.

iChat Theater Support
Now you can work with clients or collaborators as if they were in the room with you in real time, from anywhere in the world. Just send your Final Cut Pro video to iChat Theater to let everyone see the same footage while you view dailies, select shots, and make edits. You can instantly switch the iChat view between clips and sequences as you talk, and turn on a timecode overlay to help identify specific frames.

New Speed Change Tools
New speed change tools Change clip speeds with ease in the redesigned Change Speed window, which includes presets that ease in and ease out re timed clips. A new option lets you make speed changes without rippling the sequence, which means you can experiment freely without affecting the surrounding clips. You can also now create constant or variable speed changes right in the Timeline. For constant speeds, use the new Speed tool, which adjusts the speed as you drag to shorten or extend a clip. For variable speeds, add keyframes directly in the Timeline and creatively fine-tune playback with click-and-drag controls.

Alpha Transitions
It's now easier than ever to create dramatic transitions with moving mattes. Apply a matte instantly by choosing one of the beautiful Apple-designed transitions, available through a free download. You can also bring in a third-party transition or create a custom transition using a motion graphics, such as in Motion 4. Quickly see how various options look with your video by dragging animated elements into an effects drop zone.

Improved Markers
Color-code clip and sequence markers and use them to search or jump directly to important locations. You can add marker notes and metadata while the clip is playing and create a custom name for each marker color. A new option allows marker positions to automatically ripple as you edit. You can even export a tab-delimited markers list to track marker information in a spreadsheet or database.

Automatic Transfer
When you're working under deadline, every second counts. Final Cut Pro now saves you setup time when you transfer clips from a wide range of file-based cameras including Panasonic P2 and Sony XDCAM. The files are automatically copied to your media storage volumes the moment your media is mounted. A new Log and Transfer option allows you to set up custom metadata and add it to all your assets in a single step.

New Timecode Window
Now you can see timecode up close or from across the room. The floating, resizable window is easily visible when you're working with clients and can be quickly adjusted for your own logging and note taking.

Native AVC-Intra Support
Final Cut Pro 7 makes it easy to work with the latest high-quality cameras from Panasonic. Native support for the AVC-Intra format means you can ingest footage directly into Final Cut Pro at high speeds, without transcoding. Work with real-time effects and edit with multiple streams, thanks to fast decoding of both 50 Mbps and 100 Mbps formats.

Closed Captioning Support
The program offers expanded support for closed captioning, including Line 21 for SD and VANC for HD video. You can preserve captioning data when you capture tape sources, and use popular third-party captioning software to create new captions as needed. New options let you output video with captioning to tape as well as to formats designed specifically for web playback.

Global Transitions
Save time by applying a single transition to multiple cut points in one step. Just select a range such as a set of clips, or the entire sequence, and then add a transition. Final Cut Pro automatically inserts the effect at every cut point and resizes the transitions to use available media. Easily substitute different transitions until you get just the look you want.

Improved Tabs
Editors use tabs to quickly and easily organize material as they work. In Final Cut Pro 7, tabs are even more flexible and convenient to use and can be particularly helpful for editors working on larger projects. You can now color-code tabs to make them easier to identify, and drag to reorder them. It's also easy to distinguish Projects from Bins with the new Project icon in the tab header. Work fast by using the Close Other Tabs shortcut to close all non-active sequences or Bins with a click, and save even more time by using a host of new keyboard shortcuts for efficient tab navigation.

Background Exporting
Now you can keep editing in Final Cut Pro while using Compressor to render, export, and publish in the background. Whether you choose a template in the new "Share" window or use the "Send to Compressor" option in the File menu. To render in the background at maximum speed, use the Apple Qmaster QuickCluster feature.

Cinema Tools 4.5
Streamline your digital cinema workflows with the improved film management features in Cinema Tools 4.5, an application included in Final Cut Studio. Now you can create new databases simply by dragging files into Cinema Tools, and produce change lists with ease using XML files that describe the original version and the new version. Use Cinema Tools as part of a digital cinema workflow to track DPX files created during high-resolution film transfers or files from 4K cameras such as the RED ONE.

Faster Media Reconnecting For
Final Cut Pro now has significantly faster media reconnecting as well as better media management for an entire workgroup using a high-speed network such as Xsan.

Multi-Touch Gesture Support
Work quickly when you're on the set or on the road by using the Multi-Touch trackpad on your MacBook Pro. Navigate faster with gestures; Pinch to zoom horizontally within the Timeline, rotate to scrub the Timeline, Viewer, or Canvas; and use a three-finger swipe to advance the playhead across edit points.

Improved Render Management
Render management enhancements reduce the need to re-render as you trim clips, move media, and perform a wide range of other functions. This means you can work more efficiently as you experiment with creative options.

Markers In Multicam
You can now prepare multicam projects faster thanks to new support for markers. Retain markers on multiclips when you switch angles and add marker notes to make multicam projects more efficient when you're working with multiple editors.

Comprehensive Matchframe and Reveal Options
New matchframe options make it easy to find original frames or source files that are used in a sequence. If you're working with subclips, you can choose to matchframe to the subclip or to the original clip. Matchframing now works with freeze frames as well as nested sequences, which are treated like a true master clip. Use the new Reveal Affiliate Clips feature to automatically select every instance of a clip in a sequence, so you can apply a color correction or efficiently move or delete all instances in a single step. You can also find the project file without digging through your drives. Just right-click an empty space in the Final Cut Browser and choose Reveal Project in Finder.

Display SD Safe Title Area Inside HD
If you're working in HD but need to deliver in SD, it can be challenging to position titles and graphics. Now you can display tick marks that show where graphics will be cut off on standard-definition displays based on the broadcast safe title area.

Improved XML Interchange
Final Cut Pro XML Version 5 supports greater interoperability with third-party software by preserving additional settings and metadata during round-trip file interchange. XML Version 5 also supports AUX timecode, which is used for sound sync and audio editing.

Improved Media Management
Use the Media Manager to archive media and projects with confidence. The system has been optimized to improve media trimming, especially for clips with speed changes, multicam clips, and anamorphic media.

Optimized Codec Performance
Final Cut Pro 7 renders four popular formats faster than ever: XDCAM HD, XDCAM EX, interlaced HDV, and interlaced XDCAM HD 422. This lets you work faster and experiment with greater freedom when you're creating complex, multilayered sequences.

Log and Transfer Improvements
Improvements to the Log and Transfer interface make handling of file-based media even more robust in Final Cut Pro 7. You can easily find and mount missing volumes during batch ingest, and sort clips to show only the ones that require re-ingest. Improved automatic naming makes it easier to identify clips that span multiple cards.

New Close Gap Command
The Close Gap command now operates on the gap at the cursor location.

Join All Through Edits
Editors often use the Razor Blade tool to split clips for flexibility in multitrack editing and trimming. The Join All Through Edits command lets you clean up the sequence in a single step.

Audio Gain
You can now use Audio Gain (Adjust) buttons on a selected audio keyframe or the two keyframes surrounding the playhead.

Multiple Sequence Optimization
If you're working with the multiple sequences, you can get started faster by holding down the Option and Shift keys when you open Final Cut Pro.

Additional Features

Expanded ProRes Family

ProRes is an Apple codec that allows you to edit at HD quality with SD file sizes. In addition to the original ProRes 422 and ProRes 422 (HQ) versions, Apple now offers three new ProRes versions, ranging from an efficient proxy version for use on notebook computers to a high-quality version for use in compositing.

All five versions of the ProRes codec share the same fundamental attributes. ProRes uses variable bit rate (VBR) encoding to minimize file sizes for storage efficiency. It also optimizes decoding to offer multistream, real-time editing performance and preserves the original frame width of SD, HD, and 2K source video, so you won't have to reposition or resize graphics in a finishing workflow.

Broad Format Support

Final Cut Pro 7 lets you edit natively in almost any format across the full spectrum of tape and file-based media. You can even mix and match formats and frame rates in the Timeline, including any of the five versions of Apple ProRes.

Final Cut Pro 7 makes it easy to work with the latest file-based devices from Panasonic, Sony, JVC, and Canon. Use the Log and Transfer function in Final Cut Pro to ingest Panasonic AVC-Intra and DVCPRO HD from P2 cards, Sony XDCAM EX, and AVCHD. Or use Sony's free XDCAM Transfer software to ingest XDCAM, 18/25/35-Mbps XDCAM HD, and XDCAM HD 422 media.

Preview shots before you bring them in, add In and Out points, and add custom metadata before you transfer files to save time when you get to the edit. You can automatically ingest media files in the background at high speeds while you continue to edit or preview other material.

Comprehensive Editing Tools

As the hub of Final Cut Studio, Final Cut Pro 7 is designed to work seamlessly with the other applications in the suite. Send sequences from Final Cut Pro to Soundtrack Pro, or from Final Cut Pro to Color, with round-trip confidence. You can also send projects to Motion and use Motion templates for titling and other repeated-use graphics.

Final Cut Pro 7 is tightly integrated with Final Cut Server 1.5, Apple's software for media asset management and workflow automation. Drag assets from Final Cut Server into Final Cut Pro for immediate use. Or bring them from other sources into Final Cut Pro, and they'll be added to the catalog when you check your project back in to Final Cut Server. Use Final Cut Server on a LAN or WAN, or use the power of Xsan to share media across a large number of workstations.

Final Cut Pro 7 is tightly integrated with Final Cut Server 1.5, Apple's software for media asset management and workflow automation. Drag assets from Final Cut Server into Final Cut Pro for immediate use. Or bring them from other sources into Final Cut Pro, and they'll be added to the catalog when you check your project back in to Final Cut Server. Use Final Cut Server on a LAN or WAN, or use the power of Xsan to share media across a large number of workstations.

Capture once, save time, and share media with multiple editors simultaneously using a consolidated storage pool powered by Xsan. Media management tools in Final Cut Pro make reconnecting and working with media in shared environments easy.

New collaboration tools make it easy to work with clients and colleagues, whether they're across the hall or on the other side of the world. Discuss the edit in real time with iChat Theater, instantly post video to the web, or use Final Cut Server for effortless asset sharing and automated review and approval.

Work quickly using a complete set of professional editing and trimming tools, with a full range of customization options for flexibility and control. Numerous interface improvements, including enhanced markers and tabs, help speed your work.

Incredible Effects and Transitions

Final Cut Pro 7 offers real-time performance for more than 150 filters and effects as well as for multistream video. New speed change tools and expanded support for Alpha transitions offer even more options. Use the SmoothCam feature to stabilize shaky shots while preserving standard camera moves.

RT Extreme with Dynamic RT delivers industry-leading real-time performance with real-time playback of more than 150 effects as well as multiple streams of video used for picture-in-picture effects and multicamera editing. Enjoy maximum performance on systems ranging from a MacBook to a Mac Pro. Dynamic RT analyzes your system's capabilities and adjusts video playback quality and frame rate on the fly. If you prefer, you can customize preferences to favor playback quality or frame rate as the video plays back.

Make your project memorable by choosing from more than 150 real-time capable filters and effects, many of which use high-resolution 32-bit float image processing to produce stunning, film-quality results. Then extend your repertoire even further by bringing in third-party filters based on the FxPlug standard the same format used to produce the extraordinary real-time effects in Motion. Dozens of leading developers support the FxPlug standard to offer hundreds of real-time GPU-accelerated plug-ins at 32-bit float quality.

Final Cut Pro includes a comprehensive set of real-time color correction tools, including primary and secondary color correctors; image control filters; broadcast-safe filters; tools for matte and key operations as well as luma and chroma range checking; real-time scopes and monitors; and a frame viewer for comparing your shots.

Change clip speeds with ease from the redesigned Change Speed window, which includes presets to ease in and ease out retimed clips. A new option lets you make speed changes without rippling the sequence, which means that you can experiment freely without affecting the surrounding clips. You can also now create constant or variable speed changes right in the Timeline. For constant speeds, use the new Speed tool, which adjusts the speed as you drag to shorten or extend a clip. For variable speeds, add keyframes directly in the Timeline and creatively fine-tune playback with click-and-drag controls.

Smooth out shaky scenes without altering zooms, pans, dollies, and other standard camera movements. The SmoothCam feature uses sophisticated optical flow technology to analyze and adjust your problem shots. Because SmoothCam works in the background, you can edit other material while it analyzes the shaky footage. For additional SmoothCam and retiming refinements, you can send clips to Motion.

It's now easier than ever to create dramatic transitions with moving mattes. Apply a matte instantly by choosing one of the beautiful Apple-designed transitions, available through a free download. You can also bring in one of the many available third-party transitions (sold separately), or create your own custom transition using a motion graphics program such as Motion 4.

Preview a digital cut of your HD video full screen using Digital Cinema Desktop. Evaluate your edit full screen on a single display. Or use a second display, such as an Apple LED Cinema Display, for video output. Even if you're working on a MacBook, you can view your video full screen or create an impressive screening for your clients with a second display

Motion 4 makes it easy to create dynamic titles for use in Final Cut Pro 7, with a range of new text tools, generators, and behaviors. Motion also includes LiveFonts, in which every character of the font is a separate animated movie. Use Motion master templates to update content such as video clips, titles, and lower thirds while preserving the underlying motion graphics.

Open, Extensible Architecture

Open standards such as QuickTime and FxPlug encourage interoperability with a host of third-party tools. Build a custom facility wide solution around Final Cut Pro using its updated open, standards-based XML interchange format.

Final Cut Pro 7 uses XML to track and manage all of the thousands of actions and assets that go into an edit. Because Apple has documented its XML format and made it public, developers can use XML to create applications that seamlessly share project data with Final Cut Pro. These applications range from special-purpose tools to high-end systems for broadcast.

FxPlug is Apple's format for filters and transitions that offers astonishing quality through GPU-accelerated 32-bit float processing. The default plug-in format for Final Cut Studio, FxPlug is an open standard. Dozens of leading developers are using the standard to create hundreds of extraordinary effects that can be used in Motion and Final Cut Pro.

QuickTime is an industry standard for professional video. Final Cut Pro supports the full range of QuickTime formats, including the expanded family of Apple ProRes options. QuickTime is flexible enough to contain virtually any type of media all the way from DV up to fully uncompressed, high-bit-depth video at HD resolutions.

Audio Units is the Apple standard for real-time audio filters used in audio applications. Hundreds of third-party Audio Units effect plug-ins are available for use in Final Cut Pro and Soundtrack Pro. Audio Units plug-ins are also compatible with Logic Pro.

Digital Cinema Workflows

Featuring deeper integration with Color, Final Cut Pro 7 is ideal for digital intermediate workflows for projects shot on film, as well as cutting-edge workflows for video from high-resolution cameras such as the RED ONE. Improved relinking with Cinema Tools 4.5 allows you to produce change lists and edit lists with confidence.

Featuring deeper integration with Color, Final Cut Pro 7 is ideal for digital intermediate workflows for projects shot on film, as well as cutting-edge workflows for video from high-resolution cameras such as the RED ONE. Improved relinking with Cinema Tools 4.5 allows you to produce change lists and edit lists with confidence.

Cinema Tools 4.5 is a powerful database that tracks the relationship between film frames and their corresponding video frames, no matter which video standard you use. Because Cinema Tools is deeply integrated with Final Cut Pro 7, you can use it to edit a film or 24p digital intermediate just as you would edit any other project in Final Cut Pro. Easily export your lists as plain text or as XML and import them into industry-standard tracking systems used to pull film negatives. Or use XML to instantly create change lists. You can even output beautifully formatted, easy-to-read PDF lists to use for reference or to share with clients.

Digital cinema workflows are used for productions that are shot on film, scanned to a high-resolution 4:4:4 2K data format, edited digitally, and then Color icon released on film, as digital cinema, or as high-definition video. Some studios skip the film original and go direct to digital files by shooting with a high-resolution camera such as the RED ONE. Edit your digital cinema project in Final Cut Pro and relink to original sources using Cinema Tools. Then send your project to Color for color grading and output to 2K or 4K DPX media. For broadcast or video release, you can output high-quality 10-bit ProRes 422 (HQ) or uncompressed HD.

Using the collaborative power of Final Cut Server, an assistant can organize bins, log clips, capture dailies, or prepare output for screenings or review.

Motion 4
What's New

3D Shadows
Quickly add dramatic shadows that anim

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